
Directing & Comedy Track
Direct under pressure. Then write fifty concepts in five days.
Direct under pressure. Then write fifty concepts in five days.
Per artist
Per artist
Commit to the track. Or start with one.
Content is exploding across every format — from short-form reels to feature films and series. A new generation is constantly creating, but most of what gets made lacks direction, clarity, and intent. The ability to actually direct — to decide, shape, and lead a story, whether it runs 15 seconds or 90 minutes — is becoming rare.
At the same time, comedy drives attention everywhere: it carries short-form virality, but it’s also what separates memorable features and series from forgettable ones. The advantage is shifting to creators and directors who can generate high volumes of clear, repeatable comedic ideas — and who know how to scale them from a single beat into a scene, a sequence, or a full film.
Directing is taught as vision — aesthetics, style, intent. What is missing is directing as responsibility under pressure: making decisions when time is short, material is unfinished, and a team is waiting.
Comedy demands precise timing, rhythm, and clear choices. Most creators lack the ability to generate it consistently under pressure and at scale.
Both gaps share the same root: the ability to make fast, clear decisions under real constraint. This Track trains that reflex from two directions.
High-volume comedy writing. Fifty short-form concepts in five days. Character-driven humor, punchline economy, platform logic. Speed that builds instinct.
Directing first means you arrive at comedy writing with sharper instincts. You already spent a week making fast decisions about story clarity, visual intent, and what works under pressure. When you then write fifty concepts, the directing discipline carries over — you write with structure, not just instinct.
WHAT WE TRAIN
50 concepts in five days under a deadline. Speed that builds instinct — not possible in slow, comfortable work. Guided by a writer-producer from Ren & Stimpy and SpongeBob SquarePants. Character-driven humor, punchline economy, and writing for modern digital platforms.
Directing as decision-making under constraint. You work with unfinished scenes, broken cuts, and time limits that force clarity. You edit to intent, repair sequences that fail, shoot short material, and present your reasoning under pressure.
WHAT WE TRAIN
Reflexes, craftsmanship, and leadership — fast decision-making under pressure, not theory. You build personal workflows to prepare your vision and respond quickly to project needs. Editing becomes thinking. Presentation becomes leadership.
A director who holds under pressure — able to make decisions when production does not wait. A creator with fifty or more ready-to-produce concepts, a base for a YouTube channel, a pitch deck, or a vertical series. With a clear understanding that both directing and comedy are crafts, and the ability to deliver both under pressure.
Multiple directed short cuts and micro-scenes from Week 1. Fifty or more production-ready short-form comedy concepts from Week 2. A repeatable director workflow AND a body of material ready for immediate use.
A non-refundable deposit of $500 secures your place upon acceptance and is applied toward tuition. The remaining balance is due 6 weeks before program start.
Can’t make it? You may transfer your registration to another run or future season at no additional cost if requested 6+ weeks before start. Transfer fee of $150 applies between 3–6 weeks. Transfers are not available under 3 weeks.
If Anomalia cancels a program, you receive a full refund including deposit, or may transfer to any available program at no cost.
We recommend booking flexible travel arrangements until final confirmation is issued 6 weeks before start. Anomalia does not reimburse flights, accommodation, or other travel expenses. We strongly recommend travel insurance.
Questions? Contact us.
Location & facilities
Kutná Hora is a city in the east of Prague in the Czech Republic. It is famous for the Gothic St. Barbara’s Church, featuring medieval frescoes and flying buttresses. ANOMALIA boot camps take place at the Central Bohemian Gallery (GASK), a gallery of modern and contemporary art located in the unique premises of the former Jesuit College.
Per artist
Per artist
Every track is built from two bootcamps that run back to back. You can register for the full track — or for either bootcamp individually at its standalone price.
Track participants get scheduling priority. If you register for a single bootcamp, your spot is confirmed on a remaining-availability basis. Either way, you work with the same mentors, under the same production constraints, with the same group size of twelve.
Each bootcamp also available individually:
Track participants have scheduling priority. Individual spots confirmed on remaining availability.
Typical Total Cost (US PARTICIPANTS)
$5,060–$5,800: Tuition ($3,900) + round-trip flights ($600–$1,200) + 14 nights accommodation ($560–$700).