You will collaborate with Art Director Paul Abadilla of Pixar (to be confirmed) to take a story of your film or game project and create the concept art for it – design and create the style and atmosphere of the environment, design props and backgrounds, the style of render and FX of your movie or game.
You will take a chunk of the story, or maybe just one sequence, and on a smaller scale, touch upon all the same things they would do to create the design packages necessary for production: storyboards, prop designs, character/costume designs, environment designs, FX design, shot plans (if it’s for a film), and a final story-beat illustration (or two…depending on complexity and skill level of the participant).
Throughout all of this, you will discuss how designs will effect budgets and schedules, and how your designs will be used by other departments down the line in production.
At the end of the lab, participants you will have several portfolio pieces showing your understanding of how to break down a portion of a film or game, and design all the elements necessary to be able move into production. The preference is to structure the experience as an overview, where participants get to experience designing all aspects of production (props, sets, environments, characters, FX etc.)
- Concept art lectures by an accomplished professional
- Professional mentoring and consulting of your project – film or game
- Team collaboration with the mentor
- Taking both Story and Concept Art Labs as a team project would qualify to get feedback from the panel of experts (see Story Lab details)
Participants should have drawing skills already at an intermediate level and bring their own projects to the lab to boost both their skills, workflows and their projects at the same time.
In order to be eligible for the lab, you need to submit your project idea as a synopsis or character profiles and or designs no more than 500 words max. along with your registration. Participants bring their own materials, computers with Photoshop and projects to work on
- Portfolio – expertise and experience in the field
- Priority given to animators and artists
- Motivational letter
Emphasis on career motivation and vision
- Own project
Participants’ involvement is conditional on their having a project of their own
- Own creative team
Teams of at least two or more will receive priority
- Participation in both Story & Art workshops