
STORY & ART LABS
Get your new idea for animated films and series up and running.
Get your new idea for animated films and series up and running.
per artist / lab
The residential labs work seamlessly as a unified program based on the teamwork of small groups of artists who gather around a director and the project to work on. Teams are led by internationally recognized and experienced supervisors and will also include lectures and one-on-one consultations.
Prior to the residential labs, online lectures and homework with consultation with the mentor will take place via remote sessions. This is to ensure our mentor is familiar with your project and that you receive a series of questions and feedback before you join the lab. The homework also ensures everybody involved is on the same page before meeting in the lab.
The Story lab is a residential meeting with a professional screenwriter, each director per day, to ensure the existing synopsis has all requirements to tell a story in 500 words. The collaborative session renders the necessary planning for each director for the following intensive labs.
Lab includes
At a glance
You will start with characters based on your project from the Story Lab, and explore and develop their visual personalities, refining how they look individually and as an ensemble.
You will explore, refine and ultimately enhance the unique flavors of your characters and how they will best support and reinforce the stories they are telling.
Lesson plan
WEEK 1
EXPLORATION – INFINITE POSSIBILITIES
Staying loose and rough we begin the journey of discovering who your characters are and what they may look like.
WEEK 2
REFINEMENT: INSIDE AND OUT
Developing your characters further and enhancing them through color, costume, and style.
Lab Includes
At a glance
You will take a chunk of your story, a scene, which is scripted in the Story labs, and touch upon all the same things they would do to create the design packages necessary for production: storyboards, prop designs, environment designs, FX design, and shot plans.
At the end of the lab, you will have several art pieces showing your understanding of how to break down a portion of a film and design all the elements necessary to be able to move into production. The preference is to structure the experience as a pre-production of a small part of a big feature film, where you get to experience designing all aspects of production (props, sets, environments, characters, FX, etc.)
Lesson plan
In the first week, you will focus on designing a key environment within your narrative. You will create supplemental material that clearly shows your process and design choices. Everything from style and design to props, graphics, staging, composition, lighting, and color will be discussed.
The focus during the second week will be on using one of the design ideas to create a complete piece, which informs the following 3D artists on how to turn your vision into a production asset. At the end of the two weeks, you should have everything you need to finish an impressive pitch presentation of the project on your own.
Lab includes
At a glance
Directors, writers, art directors, concept artists.
Czech Labour Office (Úřad práce) offers to cover up to 85% of the course fee within the so-called POVEZ II project (Support of Vocational Training for Employees II). See the details and conditions here.
The fee of 30% off the course price applies when canceling 45 days before the start of the course, into which one gets accepted.
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Every year Animation Career Review ranks the best animation schools from nearly 200 considered choices across the globe.
ANOMALIA is pleased and proud to share that we have been ranked by Animation Careers and listed in the category of professional programs as: